Money convulses under the strain of a massive
torrential paragraph. The predicament is various and writes itself into a
wilderness of boundless speculation and leaves fluttering and odors exploding
and siren songs drifting from a region where there appears to be a lot of water
doing what water does best. Create moss and apples. The words pull themselves
into a fiction. A fable of woven silk. They evolve into a large butterfly with
diabolical colors and fangs drooling rabid ideas of language. It takes wing.
The landscape below is patterned with the labor of farmers. Money convulses in
the bank. The sound is twitching. It is fat and violent.
Yesterday I saw hundreds of crows fly south in a
loose formation. They appeared to be in a party mood. The world seemed
incidental, like the shadows in a cemetery. A place of epitaphs and memory and
stone. I’ve always thought of bas-relief as a form of pronouncement in stone. Crows
are more like omens. Ghosts denote loss. Locomotive abstractions boiling with
solitude.
Words are ghosts. They play absences like characters
in a play. They enlarge the sovereignty of existence. They’re placentas of
meaning that evolve into huge civilizations. Moody turns of thought that jerk
and argue against the thunder and waves of the ocean. It’s why sideboards differ
from belts. In the house of language the rattle and squirt of hot acetylene
words solder stories of heavy frame and recognition. Railroads ape the fight
for conquest. Saloons enhance the character of spurs. Angels scratch themselves
feeling the nascent rub of warm and garrulous wool. The hills are folded into
oddities of rock and grass. Swallows thread the meadows. Spring flexes its
muscles. A stream of people escape the drudgery of a sleeping expressway.
Sometimes it helps to swim. Consider space as a diagnosis of hats. The result
is a buckle. The sublime is washed in rain.
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