When sensations are converted to words, they become
iodine. They become cartilage and bone. They rattle. They dry into sidewalks.
They extrude paradigms crackling with calliope ghosts.
Would you like a slice of sexual algebra? A piece of
fruit? There is a Cézanne still life above the sideboard. It is full of fruit.
Help yourself. Though you will have to eat it with your eyes.
Is there symmetry in space? I don’t know. How could
there be symmetry in space? Space is not a thing. Space is a no thing. Or is it
a thing indeed? Space is the final frontier. These are the voyages of the
starship Harpsichord.
Reflections on the surface of the water display the
loom of the weather. The gray sky sighs with the dreams of birds. Picasso stirs
a pot of beans. Autumn floats into winter. Winter is now ubiquitous. You cannot
shoot winter with a shotgun. You can only endure it. Butter a hope with a long
seclusion. Chisel a fiction out of the air if the air is willing and the chisel
is real. And the winter is long and the days are short. And all of your pronouns are harnessed to the
syntax to a sparrow.
I admire the grandeur of the asterisk. Who cannot
tremble at the sight of such a little star?
Structure defines. Chaos excites.
The bow of the violin apprehends the strings and
seduces them into sound. It sings of beads of water on a black table. It sings
of consonants pumped from a well of vowels. A wisp of incense unveiling a
current of air. A blue van backing out of a 7-11 parking lot. The creak of an
elevator in an old hotel. A tidepool loud with color. Buffalo on a voyage to
the stars.
There is a charm in imperfection. Red hills
perforated by a blue sky. A tug followed by the ghost of an atmosphere. Flaws
in the ice of an alpine lake. A bit of blue plastic sticking out of a white
drawer. The myriad predicaments of a gas station on Highway 99. Seeds. Pinochle.
Topaz.
Palpitating secrets mark the beginning of indigo. The
ocean washes over the wheel of the ship. There is a spectacle of blue at the
end of this paragraph. No one knows what it is. It could be Hamburg. It could
be headlights pinned to the night.
The bistro is imbued with rumination. Outside, rain
percolates to the roots. Thin black branches silhouetted against a gray sky,
tangled and complicated and delicate, like nerves.
Nerves are nervous according to the ways of the
pumpkin. This is how art answers the enigma of sand. All those fine little
ripples shaped by the wind. Mountains ablaze with an alpaca morning.
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