The day toughens when it bends with mirrors. The
border is completely bullets. How do we break on through to the other side? If
it rains a holiday on the sculpture we will come to our whiskers in pride and
ribbons. We will cross at dawn. Your mind seems bruised with surprise. Well,
it’s only natural. A gun bangs and a noodle whirls. This leaves more space for
Monday. Only globules of this show that an enclave can be a thing of pain,
including infection, chaos, and a blister broken by a mahogany shave. The garments
are by Bach. Blood the story is shattering into words. The rustle of leaves in
this anthology writhe in deeper attraction. Clasp the steam that is enriched by
heaven. It exceeds communion. Bend your subtleties in exhibition. The raspberry
is so improbably spatial that it swims in itself. There are now more mirrors,
each with that focused ultramarine brain, and snow between loaves of
pumpernickel. The dawn comes in daubs haunted and serious, like a human being
or something. You know? Like an odor with heft and touch. We crave the push of
ourselves into radical ramification. Pumpernickel in its convocation with life
and its balanced burdens. Ingredients obtrude into antiquity. This means
that to consider a moose as a form of hinge enriches ocher. Being examines its blisters,
which, being such, do no injury to iron. This is eager to be at you. The desk,
treading in its supposition, is flexing a leg to cylinder Apollinaire up to your willow, which has
begun to take form as a monument or helicopter. The tonic is as the heart
agreeing to tide pool its subtleties of artery and vein. The muscle of it spits
goldfish to such pungency that life seems unprecedented in its deliverance.
Take the highway to the end of the night. There stands Jim Morrison. His ghost.
His voice. His coordinates, which are glimpsed with emotion through the
mahogany of France to the syntax of crows, where it is then imitated by a
simmering ultimatum, framed in coagulant blood, like the horizon. An enigmatic
Mediterranean word echoes subversion in a language which breaks alpaca into its
necessary anthology of bubbling
syllables. Umbrella bones fall like wheels through the atmosphere for a bug.
Its massive roots have the pasting of heaven. The Jolly Green Giant cleans his
dish, or spoons it over an obscure papier collé clapper which is but a batch of
tea. The present is a tense that a Hindu throws into a blue emotion, a puddle
from Rio Tinto which develops an echo. I was lost until I came upon this
throbbing Braque made of lips and fingernails. Quest combines the gift of
energy with coffee because what the passion moistens is a garden. There is a
bug there which is an abstraction boxing
its way to forty inches of mutation to run a destiny. And a spectrum explodes so
that you could fluff coal into willow, or go home and write a poem. The
daylight, stabbed by pines, haunts everyone’s ambivalence. The sag has been
shrewdly studied. The strain is a description of oval, but the Louvre abhors to
put itself in a sweat for it. This is because it’s upside-down and the
metaphors are hectic with eggnog. The result of this is bubbles.
Thursday, May 22, 2014
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