Marble hummingbirds calm the radio. I use
this warp in the space/time continuum to dig through my obstinacy looking for
the recent purchase of something that I can redirect towards liberation. I find
a golf ball, a miniature Frisbee, and a thyroid gland. I liberate them. They
become radio furniture.
I dare to believe that ink is capable of
becoming diamonds. It's mostly just pretense, but that’s ok. Rattlesnakes
mostly hunt at night. Roast a chicken and what do you get? A roasted chicken.
But this isn't about roasted chickens. This
is about fjords. Why do fjords tend to be forged in Norway? Are there fjords in
Texas? What kind of clothes should one wear when visiting a fjord?
The answer to these questions can be found in
rhubarb. The world is colder than it used to be. But rhubarb persists. They are
like oysters chiseled in wood. It’s never the appliance that needs to justify
its existence but the watercolor that echoes the limits of our understanding
that gives us the music-hall of the mollusk.
The rhubarb is a gimmick. It was never
intended to liberate Moscow. It was all those sails that let the sky in on our
plans and the winds that knocked some virtue into them that gave our crew
something to do at last. Why didn’t we think of that before? Sometimes the best
answers come in the form of soap.
I like to sit in a chair and loaf. It makes
me sad to think of veins. There’s the sky above the cemetery and the sky as it
exists in words, but which is the real sky? Remember bees? That’s the real sky.
Whatever is round shows that geometry is
present. Geometry is what happens when the zeppelins arrive with a supply of
linen. The Theatre of Sensations opens its doors. The rainforests are deep and
intermittently illumined. Snakes curl around branches of rubber trees and
walking palm and multi-colored birds embroider the air with a deafening
pandemonium.
This is what music looks like when it’s
assembling itself with catgut and camaraderie. A man carries words from one end
of a sentence to another. Screams of murder complement the varnish of the
sideboard. But these are not the words the man is carrying. These are the words
that are carrying the man to a newly expanded rapport with all things hickory.
This is the way the mind chews things.
Think of a shell then think of the meat in the shell. I see a blatant
flexibility in the fire of sexuality that I would like to see in the need to
say things about our life on this planet. This is precisely the kind of
convolution that leads to genuflection. When we see the oasis ignite in the
distance we will know that the planets are the darlings of a trigonometry
invented on the backs of camels.
It never ends, does it? I mean life. We
each personally conduct a life leaving behind books and art and children, but life
itself is a hunger and a thirst that will never be fully understood. Even the
end of life is the beginning of something new. These are the words that I was
born to carry and lay them down here, one by one, so that they would rise and
fulfill themselves in the metallic green fruits of another world.
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