It’s
autumn. The air is electric with death and the paper folded in my chest pocket
echoes the existence of the rivers and trees that entered into its making.
Some
of us ask, what do we really mean by the word ‘Being?’ And some of us answer: sage.
Weight, movement, the smell of things. This rose. This thorn. This paragraph
I’ve written. This scar, this bruise, this swollen foot. Gaudy swans on a
scraggly lawn. A ball of muscle beating in a surgeon’s hand.
The
sky speaks to us through the bright red stems of a Pacific Fire vine maple. It
gives us words that we don’t understand. We must first awaken an understanding
of skin. What is it trying to communicate? Is the world on the other side of my
skin, or is my skin imbued with the world? Everything I am made of comes from
the world. I am the world. My eyes are the eyes of the universe contemplating
itself. My skin is the world feeling itself. My skin is the world feeling its
textures, which are a text, a scripture of desire. The world is written in the
history of my skin. The world is written in wrinkles and scars. The soft
burning of a muted trumpet.
The
indefinability of Being does not eliminate the question of its meaning: it
demands scrounging. Spending some time in the closet. Looking at a willow.
Adjusting to the rigors of winter. Viewing the vagaries of night through a pair
of infrared goggles.
70
mph on the freeway at night can offer an enhanced view of things. Particularly
if there is suddenly a number of lanes closed for repaving and there are lights
flashing and a row of orange barrels forcing the flow of traffic into one of
several lanes and the perceptions formerly lulled into quiescent attentiveness while
sitting in a dimly lit restaurant among friends are now fully awakened and
frantic and consciousness is a radical cloud of unknowing.
Do I want a Being that is impartial and
above it all, or a Being so immersed in the fiber of the universe that it continually
begins beginning itself? Do I have any choice? How much am I actually involved
in the Being that is me? Isn’t there a general all-encompassing energy of Being
in which I’m a part, a partial expression, a fleeting concentration? Should I
speed up and pass this truck or fall behind and move to the right lane?
I feel like screaming in my head. The world
is burning down. Fires in Portugal, Spain, France and now northern California,
wineries and homes and vineyards scorched and melted. 600,000 people displaced.
It’s obvious what’s going on. Yet nobody dares say it. The planet that brought
us into being is now in jeopardy as a habitat. Which is to say the planet will
be fine. It will go on being a planet and orbit the sun until one day the sun bloats
into a red giant and vaporizes the entire solar system. Until then, the planet
will continue to provide habitable conditions for microbes and insects. The
future looks good if you’re a cockroach. But the planet of green meadows and
grazing cattle and swimming pools and Hollywood and football is doomed, and
quite possibly doomed within our lifetime. It’s an ugly scenario. One can
surrender to the luxuries of nihilism or one can continue to revolt and make
art.
Art frees us, illusorily, from the squalor
of being, says Pessoa.
It sure does. One might be living in a pile
of shit and believe oneself in paradise. And one might be living in a luxurious
mansion and believe one is living in a hell of meaningless junk. The world
appears differently according to each identity, each set of sensors, each
sentient creature, each nerve, each antenna, each finger and touch and organ of
perception. And each entity, each identity, feels itself to be at the center,
the very core of the universe.
Consider Nietzsche’s gnat: if we and the
gnat understood one another, we would learn that the gnat swims through the air
with the same pathos and “feels within itself the flying center of the world.”
The truth exists in interrelation. I know
that sounds pompous. But it’s true. Come on. You can’t argue it.
Well, you can. Let’s make that clear. Of
course you can. In fact, I encourage it. We should continuously argue about
what truth is. It means we’re looking. It means we haven’t settled on any one
thing. It means anything living and moving and hungry is experiencing the world
in a manner similar to, but different than, our experience of the world.
And yet, thankfully, we human beings know
that when a traffic light turns green it’s time to step on the accelerator and
move on down the road.
We have traffic lights and language.
What then, is the truth? According to
Nietzsche, it’s a “moving multitude of metaphors, of metonymies, of anthropomorphisms: in short a sum of
human relations which became poetically and rhetorically intensified,
metamorphosed, adorned, and after long usage seem to a notion fixed, canonic,
and binding; truths are illusions of which one has forgotten that they are
illusions; worn-out metaphors which have become powerless to affect the senses;
coins which have their obverse effaced and now are no longer of account as
coins but merely as metal.”
There are truths that we agree upon:
red means stop, green means go. Love means I like you, I like you a lot, I want
to have sex with you, I like you well enough even when you’re a pain in the ass
to continue sharing my life with you, I like you because you brought me into
this world and provided me with food and shelter, I like you because you wag
your tail and lick my face. It also means pushing someone to do something
they’re frightened of doing but doing whatever it is that they’re frightened of
doing will benefit them in the long run and so you push them to do it even when
they get pissed because you love them. And vice versa: someone pushes you to do
something. This may be someone who loves you, but it may also be a boss, or
asshole. Most likely the boss is pushing you to do something because you’re
getting paid to do something, fix cars, fix brains, ring people’s groceries up.
This is not love, this is capitalism. It is important to distinguish capitalism
from love. Capitalism does not love you.
Would life be a simpler as a gnat?
Probably. It would also be a lot shorter. And this life, this human life, is
pretty damn short.
And you can’t even fly. Except
Superman, who is a fiction, invented by Jerry Seigel, who did the writing, and
Joe Shuster, who did the artwork. They were high school students living in
Cleveland, Ohio in 1933. The world was a pretty bleak place in 1933. It’s also
the year that Adolf Hitler was appointed the chancellor of Germany, President
Roosevelt began his fireside chats and prohibition in the United States ended.
So imagine swimming through the air as
superman instead of a gnat. The truth will appear differently to you. The truth
will be as simple as good and evil. You may want to wear leotards and a cape.
You will be a humble servant of the people in your Sears Roebuck suit and tie
but a veritable god when you take to the air.
For such is the power of art.
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