Antiques guarantee the gravity of the blowtorch. The
welder lifts his helmet and nods to the apparitions dancing on the walls. The
zoom lens moves in on stilts. Our tour begins its journey of unicorns and
broccoli. Clouds scudding through the sky inform us of feelings yet to be felt,
celebrations yet to be celebrated, funerals prophesied in the guts of frogs,
tendrils of sinister cloud hanging down from the heavens like twisting
anacondas of hell’s colorful aristocracy.
Is life a simulacrum of somewhere finer
and better, or is this it, is this the sleep from which we must awaken? Puddles
return the sky to itself after all the water that has fallen out of it. Isn't
that what writing is? What words are? A refund, a redemption, items from a lost
and found, sad, enigmatic objects with stories to be told?
You can masturbate almost anywhere. But
try to be discreet. Sometimes all you need is a sack in the hand and a
destination in mind to survive the hazards of impulse. If you manage to keep
your pants up, the world will reveal the magic of espionage. Let us tromp
through the world like God’s spies, quiet, unassuming blokes boiling with
paradigms and saints, temperamental philosophers painting despair on the good
soft linen of our redundancies.
My gaze sometimes turns to the mouthwash
on the counter and stays there, lost in that beautiful blue of the liquid, cool
and divine.
Who was the first human to say ‘water’?
And what was their word? Their word for water. In Norwegian vann. German wasser. Zulu amanzi.
Welsh dŵr. Vietnamese nước.
Tôi
muốn đi bơi.
Or, as Hegel put it, Die Externalisierung des Willens als subjektiver oder moralischer Wille
ist Handlung.
This plywood is nascent. That is to say,
the spice is in the rack, and the senses are aroused. The revolution snaps into
place and everything begins to look seaworthy. The embryo of a novel crawls
into its pages and begins to evolve. Characters develop, ideas are floated, a
cake is baked, pleasantries are exchanged. The world crackles as it turns in
space. Virtues are decided. The novel ends with a symposium on perception: is
it true that we all see things differently?
Yes.
And no.
Night glitters in its empire. The horses
jingle in their bells. The concept of property decays in its archaisms. What is
it to own something? Is it simply to exclude others from the use or enjoyment
of something, or is there an actual bond, a eucalyptus hardened against the
vagaries of the sidewalk? I am silver in my reflections, but platinum at my
wedding. Audacity talks a good game but in the end it all comes down to
pineapple. Yellow winds bronze the face of history. Pharmaceutical concerns are
packed in cotton. The cows are built with kettledrums. Fog rolls in. The light
turns red. We hear a faint music in the background. I lean forward to kiss you.
Still here? Still reading? Thank you.
All it takes is a puff or two to blow the
little hairs off of the computer screen.
Nothing is really empty. Not even
nothingness is empty. This is what makes Mallarmé so unpredictable. Lightning riddles
the conjurations of his words. Galaxies hurl through the room proposing an end
to pain. I find a wilderness in my skull teeming with resurrection when I
shave. Why resurrection? What is not brought back when we most think it dead?
Gone and buried? Nothing dies. Energy can neither be created or destroyed. It
just assumes different forms. It stumbles into a flint and becomes a spark. It
merges with traffic and becomes a horn. It flings itself into moonlight and
becomes a trout. It is expressed in numbers. It becomes calculus. It becomes
chalk on a blackboard. Nipples and ripples and wildly expressed panaceas.
Splendor, glory, magnificence and
softball.
Hardball is different. Hardballs are
stitched by hand and have a round cushioned cork center. I mention this because
embroidery only enters the picture later, when there is time for discussion,
and no one needs to be goaded or tilted in order to talk. There is a loud whack
and the ball bounces to left field where it is caught by a pterodactyl and
carried to the end of this sentence and dropped.
I pick it up and hear a giant monotony
walking around inside of it. Cork. Or Corky, if you prefer. Consider the sport
healed at last. A line drive to first will simply be a luminous stream of
consciousness that might be talked about later, when it’s quiet and the crowds
have gone home. There is a cure for the clarinet as well. But it must be taken
in abstract form or there is a tendency to smear the air with drums.
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