The
season stuck out like a pulpit. Something had to be done about the patina. And
so I went in search of perfume. The libretto rankled with iconoclasm. But the
maggots shifted gently in their abstraction. Revulsion is in the mind of the
caretaker. Sometimes it helps to duplicate a pity. Nowhere is it written that a
newscast must master the slogans of odor. The truth is often so obvious, so
glaring, so creamy and unanimous that it makes perspective creak with
photographs. Must I always presuppose that the opacity of olives is something
vaguely attached to reality, or is reality just a polyamorous demonstration of
silverware? That’s when the stationary shop closed. Usury thrived in suede and
the outlets turned seismic with zodiacal moss. No one is indifferent to
polecats. The landslides are reflexive and good for our intemperance, which is
just another way of saying paleontology. And to think the chickens are all
nominally symphonic is pure distortion, the kind I like, the kind that sits on
your lap huffing and puffing like a ventriloquist.
The
flag is succinct as a lollipop, but the nation it serves is ponderous in loops
of ribbon. Think of Christmas. Think of trinkets. The toys and shadows of
despair. The stencils of tribulation. The mystic bows her head in thought and
the judge’s gavel comes down hard on a macadamia nut. Judgements are
preponderately gray. Which is to say, the punishment should fit the
stenographer. Hysteria is largely subjective, though its trusses are pratfalls
of elfin offal. Leather is the snivel of darts. Geometry in a corner solving
itself with kleptomania. Cubes are just squares with fat corners and
jet-propelled isotopes. The mustache is never just a mustache. It’s also a
patronage of food snacking on the upper lip.
The
millionaire’s suffix pepper has indicated my shoes. This means hatchets, which
are ontologically necessary for decimals. It’s the little things in life that
stain our sombrero. I command you to get out of the porthole and do something
about the varsity. Inappreciable vapors congregate in the cadence I’m using to
suffer the world in general. I do this for the sake of piquancy. The rhythms
are modeled on prattle, the kind of resurrection supported by iconoclasts. I’m
not domineering but I do like to drive tractors around in pornography and fling
humidity at the judges. If your mind is underwater you should learn to sell
real estate to the hermit crabs. I’ve had enough of your germination. The Seine
was never sentimental. It was always bubbling with vulvas and showed us how to
inseminate the afternoon with themes of melodious limbo.
It’s
ticklish to spotlight a puny mischance if the geology is listening and the
spice is viscous with news. Therefore, I must masticate shale. I shall shatter
shale with sentences of sticky convection. The formula cries for guests. Please
come to my patina. I grieve for the Pullman whose pumpernickel is floppy. It’s
not the democracy that counts it’s the fireside chat. Let me be a trapezoid for
the moisture of your hope. The tunnel has been hurled at the painting in my
voice. Even the gymnastics will confirm the mutation, especially as it has been
introduced by hors d’oeuvres of wry and epigrammatic wiring. The kind that
separates light into colors and then walks out of the mouth dressed in words.
Most
junk is decent. We just think it’s junk because the encrustations overwhelm the
restrictions with preternatural aplomb. Introspection is the refuge of tans. I
pray for the corona of the rodeo hog. Theories illumine the cerebellum with
wallabies. I feel so waxy when I festoon the mince with nightclubs. Just blow
that horn. The decorations will follow, passing through the firmament like
overly medicated viceroys.
I want the Christmas
trimming to resemble the entrails of a derelict explosion. The smell of paper
adds a twist of stoicism. Even the
reptiles are agitated. There are too many taboos. Who needs them? We walk over
the lava singing Neil Young songs. The search for joy mutates into a Gila
monster. I embrace the silence of the muffin. And then put butter on it. I
never fully understood the Futurists. Is it sometimes emptier to say something
when nothing needs to be said or more fulfilling to get drunk & acquit
oneself of inarticulate demands by falling out of your head? This isn’t the
emotion I had in mind, but it’ll do until Bukowski slides down the
chimney.
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