Two tugs in gray mist out on the sound. I’m soaked to the bone.
I see puddles everywhere. Some of them human, tidepools of blood & mucus
wearing Stetson hats & glasses. I smell marijuana emanating from a parked
car. It smells like philosophy. Earthy, yet otherworldly, like a philosophy of
earnest disengagement. And speaking of philosophy, tonight in Gaston Bachelard, I
discover roots. The sinuosity of roots, the earthiness of roots, the
subterranean mystery of roots. Roots on the reverse side of a
church. The sound of water roaring through subterranean chambers. Will anyone
notice the look of Cubism on my face? It’s comforting to think of your hands as
within reach. Contact is good. Touch as much as you can. Squeeze it. Ease it.
Please it.
The truth of art lies in its power
to break the monopoly of established reality to define what is real. (Herbert
Marcuse). Van
Gogh’s huge delirious stars are the luminous bacteria lighting my skin up. Who
doesn’t love pajamas? It’s why I read Frank O’Hara: the dissonances are
delicious. I look at my neighbor’s backyard & wonder what in God’s name is
trying to evolve there. All we can see after two cement truck deliveries is a
big pile of splintered wood & dirt. Perception isn’t everything. I dangle
like a bat shrouded in vanity & look up and blink at the sun. It helps me
understand why Nietzsche’s affirmation of life is so radical it requires
marshmallows & flying.
Something
will happen if we let it. For example, I strain to understand the garnishments
on my plate as they languish in rhetorical superfluity. Floating signifiers,
every one of them. All you need to do, I tell myself, is sit back in your chair
and let it happen. Let the world fall over you. There’s a power in me that drools with the meat of
a thousand televisions. I cry to plaster the wall with Corot, but the seashore
has no glue. I’m hanging my brain from a few words hoping that it will help
restore the basic principle of this sentence as it glides into Nashville
looking for a good hotel. A person isn’t just the sum of the chemicals in their
brain. Our heads are round so our thoughts can change direction. Said Francis
Picabia. Whose head was an epicycloid.
It
always amazes me how quickly something gets lost when it drops on the floor.
Especially a word. That drops into someone’s mind. And becomes a shoe. Or a
revolution. Each word is a tegument, a site for sensory receptors
to detect peppermint, damascene, and sunset boulevards. The magic is in the
imagination. The magic is in the gathering, the folds of the mind, which are
waves, which are energy in movement. But is there a tangible relation between
language and external reality? No, of course not. And yes, of course there is.
Both are true and not true. Reality doesn’t stay still long enough to get it
into focus. It drops on the floor and rolls under a big idea.
Space is the seat of
death. Life doesn’t lead to death, it’s death itself which comes to life. She
arrives stretched, on tiptoe, arms raised as if to grab onto a nonexistent
support. Thus begins an odyssey from the void to contemporary dance, Martha
Graham, Isadora Duncan, & Mick Jagger. “Baby, baby, baby you’re out of
time.” Outside time, outside linearity. Happiness is fine. But it’s notoriously
fleeting. There is always something giddy & silly about happiness. It’s a
tease. If you Google happiness quotes
you’ll get 14,142 citations, the vast majority of them completely inane & a
few that make no sense at all. Emotional pain is the hardest to describe. It
needs a mouth. A pretty hat. A bed of topsoil & a load of compost &
wait to see what grows out of that.
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