A
parabola is the trajectory a projectile follows that gravity feeds as gravity
feeds everything in space with its ferocious magnetism and repulsive force
depending on where you are how situated you are in relation to everything else
and that’s a parabola. Parabola the parable of the bowl. Parabola the bowl of
parakeets in a parakeet cage lined with newspaper which is lined with the
distortions and tragedies of its day.
And
what’s the feeling of the hand with a fork in it? The tines are signs of
penetration in the glory of a moment too quiet to be fully understood. It’s the
secrets in wax that glow in the flame dancing at the tip. That illumine a room
illumine a skull illumines the darkness so brightly the darkness grows plump
and palpable in that strange new heat arousing the muscle beating the heart the
heart making it beat beat beat.
I
feel increasingly alien, lost, detached and reattached simultaneously. I feel I
belong to something ancient that’s no longer in evidence, that’s been crushed
by commodity, industry, that ugly word, industry, yuk, I get antagonized
immediately as soon as I hear both those words: industry and commodity. I like
things, I like food, I like having money, I like being able to procure items
when I want them, whether I need them to sustain comfort and life, or if I just
want to indulge in some luxury. But these desires are also burdensome.
Confining. Driving. Beguiling. What desire was ever liberating?
When
I hear the word ‘industry’ I hear the clank of chains, I hear the rhythms and
deadening syntax of monotony, of the extraction of resources and giant holes in
the ground, the stink of diesel, the stench of exhaustion, the obliviousness to
anything sublime and beautiful. Acerbity rises in me, my blood turns caustic,
acidic. I want to escape all this, as I want to destroy it, alter it, turn it
back to renewal and interaction with the cosmos and its billions of stars and
black energies of light.
You
really can’t exaggerate anything these days, that’s how bad they’ve gotten.
7,000 people quarantined on a cruise ship outside Civitavecchia, Italy. The
coronavirus is freaking everyone out. A woman of Chinese nationality came down
with the flu. The passengers and crew waited for the results of tests carried
out by a medical team from Rome’s Lazzaro Spallanzani National Institute for
Infectious Diseases. And the woman just had a normal case of flu not the
dreaded coronavirus, which are enveloped viruses with a nucleocapsid of helical
symmetry that have an incubation period from two to fourteen days. Its name
comes Latin corona, meaning crown or halo, which refers to the fringe of the
virions (virus particles), which resemble a royal crown or solar corona. If
you’re going to come down the flu it might as well be something imperial.
Lethal, but regal.
But what I find gross is
the ginormous cruise ship – the Costa Smeralda – with its 2,641 staterooms,
suites and cabins. What’s a ship that big doing on a poor old ocean dying of
asphyxiation from too much carbon dioxide and plastic? Don’t have people
something better to do than float around stuffing their pieholes with food and
booze on a colossal shopping mall at sea? The world is round but the people on
it are obtuse rectal rhombi with supplementary angles and diarrhetic
hemorrhoids. Completely disconnected. No sense of reality at all. But good at
reproduction. I’ll give them that. They know to fuck and pop babies out. And
this results in great appetites and lunatic ambitions. The people want more and
more and more from a finite ball in space. It isn’t huge, it isn’t small. It’s
just a pretty ball of swans and lakes and waterfalls and trees. Pimentos and
hickory and bees. Emeralds and eggs and photoelectric emissons. But it can take
only so much before it collapses and its yachts and apricots begin to decompose
and rot.
I blow on my fingers and wait for the sun
to rise in the east. I hear the groan and rattle of a garbage truck. The chirp
of robins. What happened to my life, I wonder, where did it all go?
And isn’t earth the ultimate cruise ship?
I need a new alchemy. I need a new way to break the filigree
of overwrought thought into vapory
ringlets of nebular oblivion. I need the alchemy of experience and the alchemy
of trinkets. The alchemy of words and the alchemy of herbs. The alchemy of
ancient wizards in old cold craggy castles. The wind raging. The crows cawing.
The eerie colors of chemicals, red and green and pink bubbling in glass
beakers. The hiss and sizzle of molten metals. The aura of the otherworldly
surrounding anything that might catch a little light. And outside the stars
send their light shooting across millions of light years of cold dark space.
Places where space melts and known laws disappear. We were here, they say, we
were here.
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