The
cost of a ferry ride between Seattle & Bainbridge Island: $9.05 for an
adult, 19-64. The cost of a ferry ride across the Mersey: £4.90. The cost of a
ferry across Lake Michigan: $50 for car and driver. The cost of a flight to
Mars: less than $500,000, says Elon Musk. The cost of a boat ride across the River
Styx: one obolus. See Charon, ferryman of Hades. Bring a change of clothing.
An
obolus is roughly one-sixth of a drachma. I’m not sure where either coin may be
found. Maybe Charon takes credit cards. Though money borrowed from a future
that doesn’t exist is problematic.
The
oldest coin in the world is a 1/6 stater coin and is more than 2,700 years old.
It’s on view at the British Museum, & is made of electrum, a naturally
occurring alloy of gold & silver. It was discovered in Ephesus, an ancient
Hellenic city near present day Selçuk in Izmir Province, Turkey. The coin is
hand-struck with the image of a lion on one side. The lion has an odd bump on
its forehead known as a “nose wart.”
I
usually go around with a bunch of change in my pocket. I’m often too lazy, or
in too much of a hurry, to work out the exact amount of money when I’m making a
purchase. I hand over the appropriate amount of paper currency & stuff the
change into my pocket. When the bulge grows embarrassingly big, I put all the
change into a ceramic jar, & then at some point in the future we take it to
a Coinstar to have it converted into cash.
Money
in the United States is weird. It bears no relationship to reality whatever.
It’s impossible to put a true value on anything, particularly in a world so
obsessed with quantifying everything, while remaining stubbornly oblivious to
anything intangible, like quality.
Example:
Wall Street has been going like gangbusters while the rest of the country is
enduring catastrophic economic losses due to the Covid virus. The disconnect is
breathtaking. Speculators live in a world of irreality, attempting to profit
from stocks, bonds, commodity futures, real estate & fine art. Arbitrageurs
trade fungible instruments in markets of extreme volatility. It’s a world of
pure mathematics; nothing has any real existence. Goldman Sachs employs
particle physicists from places like CERN to work on highly complex financial
instruments.
Wall
Street has been exemplary in helping to turn the United States into a Hades of
bankruptcy, corruption, extortion & fraud. Things that once had real value
– honor, honesty, accountability – are non-existent. Vanished like steam. The
kettle is everything; the power that made the water boil means nothing. It’s a
world of extreme nihilism. Nothing transcendent has real value.
But
what about art? Art is a viable investment. This may be the one exception. But
how a work of art finds its value – it’s financial, not its intrinsic aesthetic
value – is recognizability. As soon as an artist becomes a celebrity, the art
has value for the investors. It’s not a sophisticated world. It’s a world of
vulgarity and deep ignorance concerning the real value of art.
Salvator
Mundi, a painting by Leonardo da Vinci depicting Christ
holding a sphere of crystal in his left hand & making the sign of the cross
with his right hand, was auctioned at Christie’s on November 15th,
2017, for $450.3 million. The crystal sphere represents the sphere of the
heavens, “the court of the Great god, the habitacle of the elect, and of the
ceolestiall angelles,” according to 16th century mathematician and
astronomer Thomas Digges. “This
orb of stars fixed infinitely up extends itself in altitude spherically, and
therefore immovable the palace of felicity garnished with perpetual shining
glorious lights innumerable, far excelling our sun both in quantity and quality
the very court of celestial angels, devoid of grief and replenished with
perfect endless joy, the habitacle for the elect.”
The
orb in Christ’s hand is mesmerizing. The glass is pure. There’s no distortion.
There are three white dots inside, which may represent the constellation Leo,
and the palm of Christ’s hand, obscured by a multitude of bubbles. Some believe
the orb may represent the philosopher’s stone of alchemy, the substance capable
of concerting base metals to gold. The lack of distortion caused a degree of
contention over the authenticity of the painting, since it was uncharacteristic
of Da Vinci to eclipse scientific reality. But if you look closely, and use a
little imagination, you can see the interior of the ball doesn’t conform to
material reality; it’s the entire boundlessness of the universe. He isn’t
holding a glass ball. He’s holding eternity. Which is light as a feather, and
worth nothing whatever on the stock exchange.
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