There
are no examples, no rules, no precedents, no staplers, no staples, no
standards, no civics, no emulsions, no bullets, no bombs, no knots to undo. No
secrets to uncover, no horses to saddle. Just you. And a blank screen. This is
what it looks like:
So
you see. The enigma is entirely in your mind.
They
mystery that is you. The mystery that is me. The mystery that is everywhere.
The mystery that is for old men a deeply occupying conundrum. And is like a
winter in Alaska.
I
move swiftly in a city. I walk with determination. To linger in a city is to
invite obtrusion, suspicion, ridicule, and mayhem. The country is different.
You can walk a long way on a dirt road on the plains and think the world is a
place of tranquil interactions, occasional violence, and moments of
overpowering stimulation.
You
can look out, across the plains, at the mountains.
The
mountains are poems. Written by volcanos.
Shooting
flames into the sky. Vomiting lava. And the intestinal tribulations of the
underworld.
When
a container takes the shape of the contained, the contained is deliberate as a
passport. The intent of the contained is to become uncontained. Now then. What
the fuck is up with contentment? Where did contentment go? The dictator has
sent his armies out among the people, and the people have become uncontained.
Contentment
has gone the way of the dodo. And clubfoot Lord Byron slashing his way through
life.
But
hey: you haven’t lived until you’ve seen Tommy the Turtle.
Tommy
the Turtle is the world's largest snowmobile-riding turtle. Sitting on his
snowmobile in Bottineau, North Dakota, at the base of the Turtle Mountains, he
is over 26 feet tall, and radiates the joys of winter.
Life,
I think, is a gaudy chemistry of lipids, proteins, compatibility, oxymorons,
and stubborn resilience. Existence is resistance. This is true. But without
resilience, phenomenon dies.
It’s
the sound of a word around a thing that gives it a shell and a shine, a
cognitive arthropod at the bottom of a deep blue significance. The imaginary.
The real. And the glitter of absurdity.
All
things being equal, it’s strategically advantageous to make a few digressions,
make room for the unexpected, loosen up the sound and method, take a chance on
the abyss, and let things happen the way they do at a gas station. Dropped
wrenches. Interruptions. Streams of invective. The smell of combustion. The hum
of a pump. A man in a black leather jacket looking for a map to existence.
Tell
me how these things sound to you: capillary oratorio hammerhead hamburger. If
they sound hollow, nonsensical, piquant, and a bit gamy, it's clear that to
anticipate action within is birds in a Wyoming morning. When words are
clustered so firmly together that they seem to deepen into eerie shades of
aberration, piston-popping hippo conduits of henna chiffon, they solicit one’s
attention in a sly and sparkling hypothesis of conks and exonerations, aluminum
coughs, Parisian parasols, an entire universe sloshing around in a wide black
tray of imaginary solutions.
Ok.
What’s next?

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