We walk upright, our skin is naked and tender, our capacity for invention magnificent. Our sensations galvanize us into action, the depiction of animals of stunning grace, the murmur of subterranean rivers.
A
rag of infinity has been ripped from the wall of time and hangs here, a moon
shadow trembling with claws. Picture this: strawberries sparkling with freshly
fallen rain. It is a false image. It is the image of a pronoun stuffed with
strawberry jam. Every time I push my mind to assemble these things with a set
of words I feel like a washing machine grown arrogant with buttons and power.
Can
you believe everything I say? Anything at all that I say? Yes. Believe this.
Believe that money is the fecal matter of the spiritually bankrupt.
I
believe that there are certain pains that glow like a whisper of crystal. And
that the right combination of words will climb into the sun and become a giant
cabbage running wild with colors and bombs.
Emotion
auctions the heart. It goes to the highest bidder, who is a woman of 40 from
Beaumont, Texas. She takes a drug that causes silk and literature. One day she
will be on television. Meanwhile, she is happy to flutter through the room like
an insect with black shiny wings and nipples like dead violins.
A
Rembrandt brown walks across a canvas exasperated with bad jokes and convulses
in the wind and rain. A swirl of universe sputters in the mouth like a mountain
brook in love with communism. It says surrealism is alive to the unraveling of
perspective. Well, I already knew that, but that’s ok. I still enjoyed writing
it down.
Words
tremble with strange demands. They celebrate the spine of a divine
scintillation. Their hallucinations seize the wind and fall into hypnogogic sensation.
If anything of this is too vague, please let me know. Right now I am filling a
void with the ageless exaltation of antelope bounding over the crest of a butte
in Wyoming. Later I will set the oven for 350 degrees and slide a tray of
lasagna in. All of this will later become apparent in emotion, sensation, and
dreams, which are the alembic the alchemists called a philosopher’s egg.
This
was written in my sleep in the year 2013 using a bottle of perfume, a journey
of universal connectivity, syllables secreted into a web of convulsive silk,
and eight supple legs scampering about with an animal eye and a pound of sound
condensed into teeth.
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