A
giant inflatable Santa Claus in front of a dilapidated house.
A
chow chow wandering among the figures of a crèche, wagging his tail. One of the
wise men topples over.
The
day after Christmas a man stands outside his pale yellow house with a paint
roller, painting over the words ‘ASSHOLE” written in huge red letters on each
side of the house.
Multicolored
Christmas lights entwined around two white columns on a Dutch Colonial porch,
steam venting from a brick wall, odor of fabric softener scenting the winter
air.
A
middle-aged woman with blonde hair wearing a fur coat glides through a four-way
stop in a black SUV just as I come running across. When I am inches from her
window, she glances at me with a look of indifference.
Frost
on a bed of ivy.
A
thick layer of ice on the sidewalk, remnant of a garden hose left running.
Black
silhouette of a man walking on a yellow triangular sign against an opalescent
sky in late December. The sign is a warning for disabled pedestrians. Yet the
iconic man on the sign is walking robustly.
The
man gets down from the sign. He slides down the pole. He has no features. No
nose, no eyes, no ears. He is simply a man walking. He is a sign. He is a sign
of walking. He is a parody of walking. He is a flirtation with walking, an icon
designed to catch the attention of drivers. People behind the wheels of their
cars. Or motorcycle handlebars. Look out, the man says mutely in silhouette,
there may be people crossing here whose bodies may have been compromised by age
or injury or disease. But the man is momentarily gone. It is just a yellow
sign. A yellow triangle. The man on the sign goes to the library to read a
book. He reads a book of silhouettes. He reads a book of signs. He learns how
to warn people. He learns how to deliver a clear message. He returns to the
sign and climbs back up. He assumes his position, his left leg moving jauntily
forward, his expressionless silhouette communicating a message as clearly as
possible. Watch out. Pay attention. You are in a car. I am on a sign. Together
we make a world. A world of warnings and signs. A world of attention and
solicitation. Highways and maps. Incongruities and substitution and straw.
Fickleness and treachery. Gladness and compassion. It’s all there. It’s all a
sign. A big sign. A sign of sagas. A
body of law. Sunlight burning through mist creating opalescence and thaw.
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