There are so many
sounds, such a colossal variety of noise and tone, yet so few words available
to describe them. Our refrigerator is an orchestra. It produces so many
different sounds it blurs the distinction between translation and tumult,
babble and elucidation. The refrigerator speaks a dark language of cold and ice
and tetrafluoroethane. Sometimes it sounds like a terrible wind howling across
the steppes of Siberia, and on other occasions more like a giant metal bird
murmuring contentment in an abstraction of milk and crumbled Feta.
But what is the
sound of a pebble on the bottom of a brook? What is the sound of a pituitary gland
forming a pearl of morphine? The ghost of Frank O’Hara hanging ornaments on a
poem? The blaze of an irrational sun cresting a horizon of fens and Arctic
moss?
I thread the
phantom of a translucent hysteria. It sounds like the earth abandoning itself
to a dream of dots and jingles.
The sound of your
eyes crawling over this sentence excites the strum of a thousand banjos.
The visible is
sometimes invisible and the invisible is sometimes visible. There is a frontier
where this phenomenon flows back and forth like a long velvet tide. The sound
of this is a sigh of orange on a thicket of Milori green. The sound of this is summer.
The sound of this is Cézanne.
Describe the voice
of Lisa Fischer. Use sparks and semaphores.
The pavement has a marvelous
way of expressing the weather. When the rain hits it makes the cars sound like
hyphenated beer steins.
Stains of sound on
a winter evening. The sound of a throat warmed by a turtleneck sweater which
isn’t a sound so much as a caress of wool.
What is the sound
of oblivion colliding with a city? Lightning. Thunder. Buzz of a tattoo gun.
A veneration for
garlic stumbles on a disentangled emotion. The sound of it vibrates in the
finger of a museum official pointing at a painting by Jean-Baptiste-Camille
Corot titled Storm at Sea.
France sounds like
an amalgam of swords and postage stamps. England sounds like a patch of skin soliciting wisdom with a wrinkle.
I sit beside an
empire of sound. I wear a necklace of words. Can you hear it? Can you hear the
condensation of experience, the slow distillation of a reflection on a sheet of
paper?
2 comments:
Wow. Aural and visual. Very innovative. An article with a perspective.
I tried something at http://modernartists.blogspot.in/2013/08/paul-cezanne-moral-imperative-of.html
Thank you, Dhiraj. I will take a look at that link.
Post a Comment