Writing opens doors to perception. For example, the
glockenspiel smells of gardenias, but the
catwalk is opening a can of Franklin stove. It emits fumes of fairyland
and olive. And in the green and pleasant country of Scotland and England,
vintage trains go chugging along winding rails. The phenomenon, said Sartre, is
what manifests itself. Nothing is clearer than that now. Let us live on the
moon and sail into the Mystic. Let us create anomalies of apple and moccasin.
Let’s wear gloves and microphones and drive a garbage truck to Winnemucca. As a
sign implies its meaning and dots create the drama that is Dagwood every
Sunday, absence, too, discloses being. Since not to be there means still to be.
I’m not kidding. The angel of languor has a pretty sternum. Kudzu and kelp
litter the beach. A fire crackles among piles of driftwood. The object does not
hide being, but neither does it reveal being. It is as it appears, and we
waddle like ducks, making a spectacle of our muscles, which are myriad, and
kind, like bones. Like science. There is a charming incongruity between
fountains and pools and this is why, if my coordinates are correct, the
interior of the rattlesnake is rash with blood, and the fog is first a chill
and a tingle, then falls away into nothingness, which is everywhere, and
prodigal as cabbage. Why not push the idea to the limit and bring a circus to
town swarming with astronauts? I get a little carried away at times but it’s
perfectly ok, I assume all responsibility for anything this paragraph does, or
might do. All consciousness is consciousness of something, so give the beaver a
hug, and let’s be on our way. The essence of up is down and the essence of down
is up. So let’s go up and down until one of them becomes the kind of
preposition we can live with. It’s all about circulation. Existence exists as
consciousness of existing, which makes me dizzy, how about you? There is a
totem on the beach, and a narrative running through it, which wants us to
tickle it. We solve nothing by counterfeiting money in our dolman sleeves. What
is this consciousness of consciousness? What is this color, and why is it
eliciting trolleys on such a fine and lovely day? Did I leave my mouth open
again? Did words come out? I’m sorry. They were meant for a book I was going to
write. The book was going to launch evanescent screwdrivers into space and
search for the meaning of salt, and then a herd of words stampeded a hole in
the subconscious, and a universe escaped, slobbering stars and buffalo robes.
You’d think, by now, I’d learn to control these things, but I get the oddest
urges now and then, mainly to travel across Egypt in quest of meaning, as if
meaning truly had meaning, and was meant to be plucked rather than bowed.
Saturday, February 1, 2014
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3 comments:
"Let’s wear gloves and microphones and drive a garbage truck to Winnemucca."
I've always wanted to be a garbageman. I think I may well be a garbageman.
They make (our used to make) really good money, but it's a surprisingly dangerous job (considering what hazardous materials people throw away). Gloves are a plus (and have an amazingly interesting history). I always wear a microphone. And have a loudspeaker on the top of our car so that I can give orders to people when I'm driving and solicit votes for a position I haven't invented yet.
Fine, I love gloves, especially polydactyl ones. And adactyl ones, like boxing gloves, are great for playing guitar or typing up an essay a hair's breadth before the deadline. No love no glove, I always say. And I don't care about hazardous materials, it's safer than teaching. More lucrative too, no doubt.
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