Butterflies in a parable do a loop around the word
‘spirit’ to demonstrate the swans of France. My lungs raise this image to sound
in order to give it some semblance of substance. The facts that we experience
appear varied, but they’re the same reality and everything is established by
means of dust. As for me, I like to ponder strawberries. The air walks into my
lungs and comes back out as words. Each probe excites a representation of
pumice. Even the sky supports a certain amount of pandemonium. A little paint
helps create a sense of Spanish lingerie.
And in the case of qualities, when a quality is
established, it is established in opposition to another. For example, a dance
is different than an onion, although a church is identical to a football. And
sometimes an onion is easily comparable to a ziganka. One time I slept in the
seed of an Angel Trumpet for edification. I awoke feeling engorged and visible,
though more like a trombone than a bassoon. Sleep is like that. It awakens us
to foreign rhythms, alien melodies. I like to think of it as a way to adjust to
the vagaries of pewter.
A tree exists, therefore, upon the opposition and
unity of its parts. A gardenia is more like an archive. I feel it do
handsprings among my buttons. I lift myself into resilience and construct an
analogue to equilibrium. A fish scurries by dynastic as a knee. History widens
to include a valley. A reality is that which creates a single system. The swan
appears to ruminate within itself and the sign of the swan appears to grow from
this conjunction of intellect and squeegee. This is because the feathers
communicate a plausible calm. The music twists it into perfect justification.
There is a cure for remorse developed beneath the
berries. I can’t say which berries, which is unfortunate, but since we’re
talking remorse, the berries must be very red and exquisitely delicious. The
tangle of thorns is to be expected. Such is life. The imponderable drills its
way into a cafeteria and walks in supposition among the pies. Thus, we have
modified the violin to inflate with hawthorn. There is a pocket whose meanings
shine like the clouds on a sunny day, and it is in this pocket that I find
sufficient change to buy anything I want in the metropolis of a toad. Whatever
I swallow shatters like succotash in my stomach and turns to protein and
carbohydrate. I emerge from this meal a new man. New in my jeans, new in my
shirt, new in everything sans buttons, which are continuous and tutelary, and
buttoned in sequence, which is beneficial and holy, and performed in secret by
finger and thumb.
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