It is natural to push blue into wonder, clapboard
the infinite with tea. What any apparition does to tea is more tumbled than
lime. More palette with oars, more gaudy with straw. Just a blade whose
prominence is an embryonic feather. Disturbance begins pushing itself toward
Las Vegas for fulfillment and pardon. The heart agrees to create a tide pool in
its subtleties. It is as if, in tea, the eyes were turning toward something cut
out of the air. Dabs of blood or the soft mimicry of glue. Wisdom’s the first
element to arrive in stars. It flavors push-ups when holes are present and each
has the presence to escape into garments of silk and burlap. Envy is as
expansive as the paraphernalia it envies. There is a certain jackknife to turn
this seminal and circular in the elfin studio. It was bistros to station in
naked confession. Caress a chew for orange. This is why I have flickered Bach
at times, and devoted an anthology to the bones of any umbrella sanctioned by
Lord Alfred Tennyson. Here is a tonic accentuated by veins of silver. Love me.
Hold me. I am feeling like a sorcerer. I anticipate the kind of emotions that
go with Hinduism and punctuation. This very paper imitates the crying of
string. I have certain rascally expectations concerning this embarkment. France
unfolds in ermine. There is, as you know, salvation in crows. You go ahead.
I’ll stay here and figure the sky out. I don’t know what it’s doing here on the
bottom shelf. Caravaggio is shrewdly churning among the propellers, as the
paint has intended, and the beads have solicited reverie in their willingness
to hang in the kitchen door like that. It opens me. It truly does. I feel open
to just about anything, except austerity. I just don’t like it. It’s too, well,
you know, austere. It’s not like sugar at all. I like the consonants in
between, and the vowels that expand the mouth. Pleasure is a treasure. Emotion
pours itself into the bloodstream expecting rain. And guess what happens?
That’s right. It rains. And the vowels roll into consonants to allegorize the
widening shadow of Sam and Dave sweating heavily in black pants and white
shirts. The aim of any language is to alert the soul to music. Articulation
burns with audacity when we touch the stars. History is kinetic because it
happens that England is navigable and not at all the logical bear that we
thought it was. Those men in red jackets with all that fur on their heads is
purely for the tourists. The real poetry occurs elsewhere, in the little pink
sounds that our napkins make when we hammer them with our alibis and fold them
into folklore. The more adult smells tend to live on water. It is there one may
expect to find daylight palpable as a bank caged in a world of adjectives, and
the experience of bones stiffened by the grace of lobsters.
Saturday, June 7, 2014
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