Wednesday, October 1, 2014

Dance of the Bamboo Nipples

This morning as I fed the cat I realized that a sense of imbalance can result in a romance with gravity and that nearly all of my opinions are forms of speculations raised into speech. For instance, when a map is milk and smells of dwelling the dynamic is sexual and full of audacity. Intentions begin yelling. The  atmosphere turns silk and grammar propels it into textural immediacy, like a bright envy echoing paragraphs of shocking jelly. I put the emphasis on hills. Fingers crave symmetry. But hills, hills are like white elephants wearing ethereal fedoras. I know I sometimes do. Generally when it’s raining and the orchids are bathed in an amber light. This is how I make most of my discoveries. I drop from the sunlight and burst into conversation like the sidewalks of Paris. Then I ask to join the Rolling Stones and Mick Jagger asks why, why do you continue to ask me such questions? Because, I insist, the world is full of musicians, but what band has a member that can’t play so much as a triangle? If knowledge doesn’t bounce, it floats. But how, I ask you, how is knowledge acquired? That is to say, if you already know something there is no reason to go looking for it, but if you don’t know something, then how would you know to look for it? The human mind is haunted by its own mouth. Because when those lips get going and the tongue gets to flapping anything can open. My existence on paper explodes into light. Once I get the words out they take care of themselves. They go where they want, they say what they want, they create books of brazen chitchat. Time disperses its syllables in ticks and tocks. The empire of space has wings. If I smell like an elevator it’s because the driftwood is unconscious. And I awoke to find my mouth flying around the room like a moth. Other mornings I feel more like a road in a forest. A quiet thing of dust bending occasionally around the side of a mountain or ascending into Switzerland. It is there that I find the referents I was looking for. Until then my words had no meaning. Not really. They appeared to have meaning but when they began a newer journey I could drink them like wine and eat pretzels in winter the way pretzels were made to be eaten. You know? Like when a nail is pounded into a two-by-four of pine. My life hangs from necessity like a waterfall. The hunchback of Notre Dame walks among these words. And the sweet Mediterranean air flows through the tangle of his mind luminous with saints and roses. We chime through the centuries harboring narratives of grace. Philosophies are deepened by torpor. I feel most alive when idleness visits my simmering mind and bamboo nipples frolic on the lips of an accommodating innocence. There’s no irony here, only a badly shaved Pythagorean pain. I feel open to anything. The afternoon lifts itself into the eyes and the world pulses in a Montmartre window. This is how it was meant to be. Existence, fingers, riddles and being. Good, simple being. The kind that struts on a hardwood floor in footwear soft as belief yet thick as the cotton of October’s sad conceptions. The path of the rug is more like a shadow in the mind. A story in which nothing happens but the jingling of mints and the laughter of pronouns clicking their descriptions at a street.

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