Cartesian materialism, the view that nobody espouses
but almost everybody tends to think in terms of, suggests the following
subterranean picture: drunk rats dancing on the backache of a powerful-looking
man named Richard with a black eye and a tattoo of thorns snoozing in a chamber
of knotweed. He will awake to find the dark energies of the universe knitted
into rhizomes as time moves over the waters in a paragraph harnessed to the
caprice of dolphins and refute the Cartesian Theatre altogether as an
inaccurate theory of human consciousness. The hours fall silent. Time reinvents
itself. Words incarnate the tangle of the mind. The silk of listening
necessitates thought. A cuckoo appears via spring mechanism and goes cuckoo,
cuckoo, cuckoo, thus registering the final bliss of time as it ornaments space
with expressions of grace and Pythagorean muffins. The ruins of Rome, the domes
of London, the bells of Paris. Broadcasts from the Walter Cronkite 60s hurling
deeper into outer space. Time thickens despite hawks. The raspberries mature in
their bed. Contraptions of time vibrate Wisconsin. The California sand ripples
with wind and wave and the time of the tides moving in, moving out. My favorite
clock is a cloud of syllables bouncing on my knee. Rhythm is time and pentameter
is time and prepositions and cork are manifestations of time. We see time in
the bark of trees, in the rings of trees, in the foliage and bareness of trees.
We know that information moves around in the brain, getting processed by
various mechanisms in various regions. Our intuitions suggest that our streams
of consciousness consist of events occurring sequence, and that at any instant
a young woman will appear and help an older woman to the door. This is what
happens when sequence becomes a plane ticket for Paris. Autumn creeps slowly
into the air dragging winter behind it. The shiny buttons of Einstein’s
accordion increase the sterling morning. I spin faster and faster among the
stars. Time is the belch of infinity. Time is motion and shape. Time is salt in
a Martian’s ear. A breaker unfurling on Tahitian sands. The opium of grammar,
the chronicles of a downtown bus. At 8:41 on a May morning the woman upstairs turns
on her shower. A lawn mower roars in the park. The sun rises into the sky. Time
is the lip on which the sky walks.
Friday, June 5, 2015
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