A language isn’t just words it’s a way of attaining elsewhere. It’s also a way to make the heart of a palomino pump its energy and burdens into a fiction. I like to write in the sky where the clouds are folded into fingers of crackling silk. Exempted from accuracy and truth, we abandon ourselves to lingerie and ceaseless correlations. The lights of Reno, the rhetoric of sage. Consonants tumbling into mountain rain. Morphic resonance, cogitatum, apodictic evidence, introspection, intentionality. A letter from Virginia Woolf. An intriguing set of vertebrae played like a xylophone. This is how perception, rendered in gray, makes concessions toward reality. Venice in the sfumato of a late afternoon. The phosphorous glow of Pacific waves cresting on Poipu Beach in Kauai in late evening quiet with a full moon framed in a ring of noctilucent clouds. I find the sea mysterious, sublime, and terrifying. I always wonder about what’s on the bottom. Metaphysics and coral. Metaphysical snow globes. Mermaid brothels unanswered howls. An embarrassment of riches, a space of humidity and glass for the opprobrium of cactus.
Where there are trees, there are leaves and branches.
Things are weirdly encompassed yet infinite in the synaptic forests of the
brain. Metaphysics snows on the ganglions. Righteous glia and neurons of the
mangrove register the blue vastness at the surface of the Pacific where the
curvature of the planet is revealed at the horizon line. This is how
perceptions puzzle the strings of the violin with a bow of prose and a sternly
monitored chin. I can’t explain why I said this. My cloud flashed. It’s an
orgasmic muted in deep pleasure. I can generate a wavelength of love on any
train in the country so long as it’s running on good rail and sketchy
intentions. One day I shall pen a biography of fog in the luminous ink of the
midnight sun. I’ll do it for kicks. I’ll lure it into being with the coals of a
capable etiquette, the linguistic tinsel of subjunctive collisions and
cognitive dissonances. They say its easiest to run where the sand is packed
hard and I find that this is true. It’s not uncommon to make the discovery of
the ego’s illusions at the beach. It’s a crunchy nugget of self-awareness, like
inwardly cringing during an acceptance speech.
They say we know less about the ocean than we do the
other planets and stars in the universe. The same could be said about
consciousness, that ocean in our head. I’m not even sure why anyone imagines
it’s in the head. Some of it might be outside the head. When consciousness
becomes words it lights the chandeliers with a figure of speech. And this is
called heat. This is how the search for consciousness can look stupid as hell
on a sheet of paper and yet ignite your brain. Memories wrapped in glittering
mirrors will yank you out of life and drag you into the steam of a dream. I
know a fool when I see one. The mind juggles words like a court jester. Speech
is a vulnerable undertaking. You can start out with the best of intentions and
find yourself looking for a napkin after blurting a confession of fraud and
irony. All these things are true and happened on a mountain. Percy Bysshe Shelley isn’t dead. Let’s
not kid ourselves. No intensity goes to waste. If the shoe fits, fine. You
don’t have to wear it. I walk around in existence all day doing what I can to
redeem the various predicates I’ve put into play. I order what looks good. I
eat it. I look around. I thank the waitress. I get up. Grab my hat. Leave a
tip. Head for the door. So no. There are still delicacies. Things to assess. Things
to do. Things to say. Exits and entrances. Last night I listened to Fleetwood
Mac. The early days. The Peter Green days. And then I began to drift away on a
black horse of desire, and let it all happen in music.
2 comments:
'there are still delicacies[...]things to do' beautifully said, john. like beckett did we keeping on keeping on going. perhaps the greatest mystery of the universe is, so far, the human brain. philosopher david chalmers called the study of human consciousness, 'the hard question.' for we can experience it but we still do not know what it is made of or what causes it. well done, again! i love this piece. as for peter green era fleetwood mac a trio of sisters who perform & record under their surname, Haim, has a blistering live performance of 'oh well' on youtube. 'i can't go on i'll go on!'
Thank you, Richard. You're right: Haim does a fantastic version of "Oh Well." They play with such evident joy. Thanks for sharing that. The brain is most definitely a mystery, but what really blows my mind, so to speak, is slime mold. More specifically, Physarum polycephalum. This was the slime mold that reproduced the efficient mapping of the Tokyo subway system by working out the samples of oatmeal placed at all the subway stations. It’s an example of what’s call cellular intelligence: cellular intelligence describes the ability of cells to perceive their environment, make decisions, and communicate through biochemical signals, enabling complex behaviors and coordination without a central nervous system. This raises some questions about consciousness in general. If it’s not connected in any vital way to nerves and neurons, what is the basis of consciousness? The answer is lurking somewhere in the quantum bog.
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