Saturday, March 21, 2026

Doing Nothing Nothing Doing: A Cri de Coeur

 We live in a time of unbridled lunacy. Thinking is at a climax of latent provocation.

Displaced cormorants dying on the Astoria bridge.

Rickety lies and lethal drones.

Ringside seaside genocide.

There’s a strange and vivid grace to the way a donkey approaches a goldmine. Such a humble creature, imposed with such a vulgar goal. There are currents not always readily apparent to the five conventional senses. But where there is fluidity, there is also grace. Movement is a liquid proposition. The river is its eddies, its contradictions, its idiosyncrasies, its rocks, its reeds, its splashy agitations and buoyant jollity. People float in whatever direction the pompoms punctuate its restitution. Hemp is a lamp of plumes, and is therefore ideal for dashboards and picnics.

I could go on like this all day, blossoming mutant flowers like a pigtail on fire.

And yet there remain enchantments. The surmounting ineffability of the sublime. The savage delicacies of complex systems, rainforests, coral reefs, ant colonies, snowflakes, interactions of water and air. The luxurious milieu of competing russets, schools of grunion off the California coast. The Percé Rock abutting heaven in the gulf of the Saint Lawarence. The bluish undertones of Zambia emeralds. Paracelsus Sylphs. Entities invisible to the empirical eye dilating the mind.

“In such cases, it tends to promote a magical causality—one that posits the necessary intervention of natural factors bearing no logical relation to the matter at hand—thereby disorienting and confounding our habits of thought, yet nonetheless possessing the power to subjugate our minds.” André Breton.

The world suddenly seems epic, volatile, its intimacies gone lunatic, explosive, its considerations freestanding implementations of mass and prickly textures. Nefarious actors geoengineering the sky with sulfur dioxide, aluminum oxide, diamond dust, black carbon. Manufacturing rain. The dark oily rain that fell on Tehran from blowing up oil refineries in Iran. The absurdly heavy rains of Guangdong. Of Maui and Oʻahu and parts of California. The sweet-smelling rain of late August and all its negative ions breaking molecules and chains of linear imposition apart, thereby liberating the engines of rebellion. The weight of utility as opposed to the airiness of fungibility. Explosions of joyful outmaneuvering. Deregulated demeanor. Wildness of innovation, joyful, sexual, uncanny, like Bo Diddley on Ed Sullivan, November, 1955.

And here we are at the edge of the world once again. We’ve been here before. Briefly. But this time it seems both unreal and all too real. It’s eerie business when reality slides off the rails.

There are, of course, signs. There are always signs during times like this. The air is stuffed with omens. Nothing ghostly, nothing cryptic. It’s all in-your-face stuff. Plain as the dopey smile on a garden gnome. Homeless tents everywhere. Deaths of despair. Endless war. Ridiculous rationales. Corruption ubiquitous as mold. Dry rot under the constitution. Rudesby dog walkers. Necromantic narcissist nonchalant knee-length cashmere cardigan Hollywood hypodermic puffy-cheeked Botox baby girls. Aged 60.

The exhaustions. The exhaustions of school. The exhaustions of oxygen. The exhaustions of exhaust. The exhaustions of drama required to argue with a healthcare robot. The exhaustions of pretending to fulfill a purpose, which fell off like a loose muffler ages ago.

The exhaustions of filling out survey after survey after survey.

The exhaustions of taxes. The exhaustions caused by malfeasance. The exhaustions of Googling Dr. Google for a plausible (and benign) explanation of one’s symptoms, but getting scary ones instead, and dropping your tired body on the bed, and dreaming you’re at a party in Villefranche-sur-Mer with the Rolling Stones in May, 1971, having fun until you discover your wallet and passport are missing and you don’t know the first thing about playing a guitar. The exhaustions of passwords. And glassblowing and glaucoma and the stress of family relations. The exhaustions of computers and the internet and trying to find a podcaster who doesn’t bore you with personal details before getting to the clickbait-bombshell-scandal of the day.

The exhaustions of toxic positivity. The exhaustions of downgrades and downsizing and draconian insurance policies.

The exhaustions of dirt after decades of cultivation, its microbial microbiomes destroyed by annual injections of anhydrous ammonia.

Borders closing. Borders opening. Borders crawling from church to church, synagogue to synagogue, mosque to mosque, shrine to shrine, temple to temple, chapel to chapel, looking for this guy they call God. Who, it is said, works in mysterious ways. Whatever that means. Maybe nothing. Borders will be borders. They like to have fun pretending to be something real, something actual, like a fish or a marshmallow. Reminds me of the story of the dog who got so used to the occasional shocks of an electrical fence that when the fence was removed the dog thought it was still there. There was nothing to see. But if you got too near, you got a shock. Or so he thought, poor dog. How could he know the fence was gone? He might’ve seen some unusual activity in the vicinity of the fence. But there was no way to interpret it. The dog had never been part of a work crew. Of course, if you felt unnecessarily hemmed in, as one often does under continuous surveillance, you could test it, test the fence, see if it’s there, that wicked current, see if they forgot to flip a switch and turn it on, it wouldn’t kill you to try, would it? Isn’t that worth a shock? Sometime, maybe. I have to get psyched. Some things are more easily assimilated by avoiding the demons of inquiry. The angelic isn’t always quite so angelic. Rimbaud’s Terrace of Princes, offering a view of the world from a completely open perspective.

Indefatigable prisms redefine the activities of ethereal technologies.

Jungle shamanism.

Ayahuasca eyebrows.

And hit a wall.

Of dumb indifference. Psychopathic apathy. And behind the wall an infantilized population, morbidly obese from toxic, artificial food. Sweeteners like aspartame. Preservatives like butylated hydroxyanisole and butylated hydroxytoluene. Eden dead as a plastic container of gas station jerky.

Dictators are, by nature, against nature. They’re unnatural. They’re monstrosities. And the planet is now in their hands. Their claws. Their tentacles. The drool of their mouths. Sadism in their smiles. The fleshy embrace of their rape.

W.H. Auden famously said poetry makes nothing happen. And therein lies its power. “It survives in the valley of its making.” Meaning its solutions are imaginary. Protozoan. Miscible. Atypical. Intrinsical. Elliptical. Pataphysical. The magnetic magnificence of the cypress leaning into its solicitations, the infinite whirl in the inspired keel of the particular. 

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