Think of a river. Any river. The Mississippi. The Missouri. The Snake.
The Zambezi. The Yukon. The Paraíba do Sul. The Tigris.
We are all rivers. We vary as rivers. Rivers energize our romance and float our regrets and caress our words.
The Zambezi. The Yukon. The Paraíba do Sul. The Tigris.
We are all rivers. We vary as rivers. Rivers energize our romance and float our regrets and caress our words.
The word is held in my mouth but will not stay. The
word is massive and must continually meander.
And the word is river. The word is red stick of merry diversions.
The word is romance understood as emotional candy. Life in a pyramid sewn to a
pillow. Hieroglyphic grammar sprinting across the stars.
The trickle of silver in sunlight. Railroad eczema.
That first incision in the skin.
Map of my heart performed by crayfish in violent
disruption.
Despair is only natural. It accelerates our ideas of
transcendence. Flowing is primarily a horizontal business. It’s important to
absorb things, indulge yourself occasionally, have a few opinions about things.
Success isn’t money or property or power success is the ability to hold on to
someone or something and endure.
Ask me about percolation. Percolation is a tin shoe
on a tin floor. Percolation is hot water poured over a cone-load of freshly
ground coffee. Denim trousers drying on a barrel. The first few drops of rain
to hit the dirt.
I feel a compilation coming on. I’m all wrapped up
in language like a Christmas tree on a houseboat. An insect of a peculiar color
walks to the edge of a roof and takes wing and disappears out over the water
until a fish jumps up and takes it in his mouth.
Her mouth. Who knows what gender a fish is until you
see it up close and look it in the eye and drink in its energy and see the sky
in the jelly of its eyes looking right back at you?
The eye sees only what the mind is prepared to
comprehend, said Henri Bergson. Who also said: To exist is to change, to change
is to mature, to mature is to go on creating oneself endlessly.
Far off from these a slow and silent stream, sang
Milton, Lethe the river of oblivion rolls.
Drifting down the river, looking up at the stars.
Does the universe have edges? What is time? What is will? What is death?
A reality and a hole. A little give and take. The
final surrender. The big compromise. What else can we discuss?
I believe in reflections. I believe in reflecting
and I believe in the images that are reflected on wet surfaces. I believe there
are reflections on the surface of the water even when the water is moving and
there is a face down below looking up at you.
You don’t want to catch a fish full of hooks. You do
want to accept what is given to you in a spirit of friendship. Your engine can
burn up if the current is too strong, but the human mind is charming, and there
are solutions to almost anything, except what keeps a river from tumbling over
a rock or doing a weird dance on a bed of sand.
Open a book and study the life of ancient Egypt.
Tell your muse to get busy.
My story is simple. I break the water with one arm
while pushing the water down with the other arm and kicking my feet and carving
a stick of wood when it’s over. If I feel like falling up I will fall up. Or
not. It all depends on one’s perspective. For some people down is up and for
others what is up is down. Up and down are relative. Write this down and stick
it on your toolbox.
You can experience almost any kind of food by
putting it in your mouth and chewing it but you can’t describe how it turns to
muscle or enriches the blood unless you do the math and sample a strawberry on
the Mississippi. There are immense subtleties in the fold of a napkin and the
rills and dimples on the surface of a river have important things to say about
the bottom. I can grasp the meaning of a fistful of words if I put them
together a certain way. But as soon as I rearrange them they mean something
else entirely different and that, that my friend is how to read a river.
Perception is a form of thought and the river does
not need pushing.
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