A suitcase packed with time pops open revealing carefully folded minutes, hours, seconds. Boxing ghosts in a mouth of beans. A misplaced autumn. The gallantry of syllables carrying an image of swans haunted by a sky of reckless silk.
I get dressed in a personality convulsing with shadows. The buttons are crickets. The pockets are mouths. The zipper is a chain reaction warming the umbilicus of night.
I am in love with the collar. It opens like a large and stately tomb to let my head through. It is the final point needed to win a sports match. The ground rumbles like a partita when the chestnuts hit my helmet. Gases are expelled from a volcanic vent. Pretty music in particular.
An ambushed ambiguity embodies a plaster disease. Let us call it tuna. Let us call it distance. Let us call it pain.
The physiology of phantoms distresses the sublimity of the potato. The blood of a thousand stomachs growls with the thunder of eggnog. There is a kind of cloth in the ghost of a thesis. A concertina murmuring a medicine of nocturnal detachment.
Buffalo wrinkles. The glow of optimism. A plywood eyebrow dried and waxed by an Egyptian lifeguard and a series of pulleys.
Nerves are minted by experience. Experience is minted by nerves. While wearing 18 pounds of cotton between hallelujahs in a sanctuary of sand.
Imagine a house full of anxious sparrows. Imagine a house full of paint. Imagine a house full of unanswered subpoenas. Imagine a house.
The recruitments have arrived. They say beauty is fleeting. They say beauty is a chimera. They say beauty is the smell of salmon. Totems in the mist.
The clarinet bends a sound into stone. A mutation in green dangling from a chiaroscuro arm.
Soap is manufactured. The caboose is jingled. Jingled because it is a caboose. Jingled because it is not soap. Jingled because it is a cocoon of alarming sentiments.
I have chiseled a sound of elevation and hold it in my hand. It is light as the sternum of a bat. I will endeavor to drive it around the room, wearing a scrupulously loud T-shirt baked in the weight of a fork.
I need to pump some gasoline into this limousine. This pair of gloves. This pot of glue. This tongue of derailment. This palette full of paint.
Can a hit song solve the enigma of wind? Can a language crackle with shadows on a glowing forehead?
Space exceeds the steeple by hugging a janitor. There is salvation in bas-relief. Opium in a field where the cylinders of desire drool the milk of subversion. Opinions thicken with exile.
There is a pyramid on Isidore Ducasse Street and a metaphor sweating fire behind these words.
Here is a book of gravitation for Baudelaire. It is more fulfilling than a stint in the army. It is a hammerhead nickel doing a handstand on a gantry.
It is a body of bone and cartilage crawling toward an overture of bullets. Knives of unuttered sound.
Sound.
And the prospect of birds.
Showing posts with label Charles Baudelaire. Show all posts
Showing posts with label Charles Baudelaire. Show all posts
Sunday, August 29, 2010
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